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Issue 228 · Summer 2026
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Textile structure and design in 'With Verticals' by Anni Albers

This week in Editor’s Choice, we look at Anni Albers’ With Verticals (1946), exploring her approach to line, rhythm and structure in weaving

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Ben Evans

Editor, HALI

2 min read24 Aug 2026

With Verticals (detail), Anni Albers, 1946. Cotton and linen, 1.18 x 1.55 m (3' 10" x 5' 1"). The Josef and Anni Albers Foundation, Bethany CT, 2004.12.1

This work greatly excites me and deserves to have a little time spent looking at it. In fact, I think it would be in my top twenty textiles. Well, I’ve been aware of it for many years, the reason it is here now is a confluence of events.

Firstly, Anni Albers was at the front of our minds because we’ve been working on reviewing the exhibition of her work at the Lower Belvedere, Vienna, that has just closed. At the same time, I was reading a review in the newspaper about a new biography of Anni Albers written by Nicholas Fox Weber, who runs the Albers Foundation. While this piece is featured in the exhibition catalogue, it immediately resonated with numerous comments, and indeed Albers’ own words.

Paul Klee was Albers’ mentor at the Bauhaus, and she even once called him her artistic ‘god’. And this work could be seen as a weaver’s manifestation of his advice to ‘take a line for a walk’. Her own interpretation of this phrase could be glimpsed in the following passage from her book On Weaving (1965, chapter 8):

‘Now, since our interest is textile form and not the freer form of the painter, we will have to be aware of those conditions that will make of our surfaces textile surfaces. If we try to have a rhythm in them of horizontals, of verticals, of horizontals and verticals, or of staggered diagonals, we will arrive at results that resemble actual textiles, for the dominant textile elements are present: the straight lines of the directions and the surface activity.’

Albers placed individuality and uniqueness into things that would normally be considered humdrum, taking a curtain or a rug and making it art. This piece takes the structure of weaving, a twill, where warp direction creates improvisation with layering of design and rhythmic repetition; with only a few elements, and only two colours, it creates a simple yet complex and modern yet conservative object of art.

About the author

Ben Evans

Editor, HALI

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