Fenghuang (phoenix) patterned Chinese imperial brocaded throne seat cushion, silk and gold, 18th century, Qianlong period (1736-1796). Alan Kennedy
At Asia Week New York, 10-19 March 2016, both Alan Kennedy, formerly of Paris but now relocated to California, and Milan’s Carlo Cristi are showing textiles among other Asian art objects.
Pheasants in roundels. Silk samite fragment, Central Asia, 7th-8th century. Carlo Cristi
For the 13th consecutive year, Kennedy will stage his Asia Week exhibition at the James Goodman Gallery, located in the Fuller Building at 41 East 57th Street, on the 8th floor. Among this year's highlights is a monumental embroidery made in China for Europe. It is a unique piece that was probably a special commission for a grand house or palace in Europe. The Chinese and European motifs are quite remarkable in their sophistication, and are not typical of chinoiserie textiles of the 18th century.
Monumental Chinese embroidered hanging made for Europe. Silk, silver and gold threads, first half of the 18th century. Very likely commissioned in China for a European palace, chateau or country house. It is architectural both in scale and in its overall design, and was probably one of a set of similar wall hangings. Alan Kennedy
Monumental Chinese embroidered hanging made for Europe (detail). Alan Kennedy
Monumental Chinese embroidered hanging made for Europe (detail). Alan Kennedy
Another Chinese textile dating to the 18th century is a gold and silk velvet rendering of the shou (longevity) character. It is finely woven, and the depiction of the character captures the calligraphic aspect of a brushwork.
