An Instagram post by Tristram Hunt, the Director of the V&A, told me this suzani was going on display in the Jameel Gallery at the museum. I recognised it immediately from the photograph, as it is part of a group of excellent suzanis that we saw at the old Clothworkers’ Centre at Blythe House well over a decade ago.
Suzani installation at the V&A. Courtesy Tristram Hunt
It had been rediscovered by Moya Carey and Rosemary Crill, along with another dozen and a half examples, miscatalogued and unknown, in the V&A stores (if my memory serves me correctly, they were catalogued as Indian embroideries).
Suzani with flowers, human figures, animals and objects, probably Uzbekistan, before 1896. Silk embroidery on cotton, 1.70 x 2.61m (5' 7" x 8' 7"). Victoria and Albert Museum, London, 82-1896, purchased from Juda Moussaiovv, 1896
According to Hunt’s post, the suzani inspired ‘Sender Unknown’, a new installation by Uzbek artist Aziza Kadyri that now winds through the arches of the Jameel Gallery. Working with women embroiderers in Nurata, Uzbekistan, and in dialogue with a newly developed AI model, Kadyri explores how digital technology can support the transmission of cultural knowledge, and how the language of suzani design can reflect the lives of the people behind the patterns.


